All Dante Gabriel Rossetti Oil Paintings


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Dante Gabriel Rossetti Regina Cordium oil painting


Regina Cordium
Painting ID::  3601
Artist: Dante Gabriel Rossetti
Painting: Regina Cordium
Introduction: 1866
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Astarte Syriaca oil painting


Astarte Syriaca
Painting ID::  3602
Artist: Dante Gabriel Rossetti
Painting: Astarte Syriaca
Introduction: 1877 Oil on canvas 72 x 42 in Manchester City Art Gallery
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti The Salutation of Beatrice oil painting


The Salutation of Beatrice
Painting ID::  3603
Artist: Dante Gabriel Rossetti
Painting: The Salutation of Beatrice
Introduction: 1859 Oil on two panels Each 29 1/2 x 31 1/2 in (74.9 x 80 cm) National Gallery of Canada, Ottawa
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti Aurea Catena oil painting


Aurea Catena
Painting ID::  3604
Artist: Dante Gabriel Rossetti
Painting: Aurea Catena
Introduction: c. 1868 Graphite and colored chalks on blue wove paper 30 3/8 x 24 5/8 in Fogg Art Museum, Cambridge, Massachusetts
   
   
     

 

 

 

 

 

 

 

Dante Gabriel Rossetti The Beloved oil painting


The Beloved
Painting ID::  3605
Artist: Dante Gabriel Rossetti
Painting: The Beloved
Introduction: 1865-66 32 1/2 x 30 in Tate Gallery, London
   
   
     

 

 

 

 

 

 

 


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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | Agostino Tassi | Georg Volmar | Arman Manookian | William Bruce Ellis Ranken | Antonio Munoz Degrain |

 

 

 

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